Tag: Violence

  • The Assumption – Chapter 2 My Journey Began

    A few months after Jimmy the Phoenix gave me the letter and I reminded him to give me the money, I stood looking at the front door of what had very briefly been my home: the half-way house. It was a cold Wednesday morning in October with the wind coming in from the east whipping salt into my hair. This would have been a year after we all heroically fought the sickness off. It was around the time when most people were getting off to work in the morning. 

     I had been there to re-acclimatise to things like actual food, going outside, and not sleeping alone. It was a well appointed building, tall, thin, with lots of depth. I liked it. It was very much like me. It was a gothic, red brick; imposing and still mundane. Victorian. It stood in a row with others of its ilk in the middle of the once grand navy town of Porthampton – now gone to seed since the sailors left. Buildings like recollections are never entirely the same even if they’re built by the same group of people, they’re only similar. This one had been a family home, with rooms upstairs for staff. In my room, under a loose floorboard, I’d found a diary written by an over-educated maid. I looked under the floorboard because that is what any sane person does when encountering a loose floorboard. Not doing so shows a distinct lack of curiosity, therefore imagination. Unimaginative people are not fun or useful. You’re one hundred times more likely to find yourself kidnapped if your bodyguard lacks the imagination. Unimaginative muscle isn’t even any good for sex most of the time.

    As I write this section of my story using pen and paper. I am looking out of a window overlooking Dublin Bay – like the Bay of Naples but with fewer calories – and I’m hoping it will relax me. This process is supposed to be cathartic. So far, however, it is anything but. I swear to fuck that I will start drinking and drugging again unless something good comes from this. 

    “Calm down, love”.

    The voice is coming from the other room, no not in the feeble analogy to death, but from the kitchen probably. The voice cheers me up. My love is back from the market with all the ingredients for tonight’s meal. Such a beautiful love. I will move away from this hard seat at my writing table. I will sit and warm in the red leather armchair, drink some camomile tea and try to remember the half-way house, which I should never have been allowed to leave.

    In each of the rooms, in the hallways and staircases some good-hearted person had hung framed prints of famous paintings to raise our consciousness or spirits or eye-lines. 

    I had Ophelia by John Everett Millais in my room opposite my bed so the evening light from the window fell on it. She was floating in a river or pool, ‘incapable of her own distress’. She was either dead or soon to be dead. By suicide or having fallen from the broken branch of a willow tree, the debate rages about that. I often looked at her and thought how good it would be to join her in there, just floating down stream, staring up at the sky keeping company with daisies, poppies and Dead Men’s Fingers. It calmed me right down. 

    Anyway, there I was looking at the thick dark blue door of the half-way home. Someone had pasted an electric pink A4 poster with a picture of a blond man and the words, “He’s Right. Free Him Now!” on it years or months before. No one had bothered to remove it so it had faded so much that the hair was almost invisible while the dark eyes and small, fat lips gave the appearance of a badly made-up clown.  I had no idea if the man was right or free. I hoped he was. I was ready to go. Love crimes and death crimes had all played out inside that building, and a small, cowardly part of me wanted to go back in because it was familiar and about as familial as I’d ever known. That was no longer an option though. I’d agreed to a deal, I had the travel money and the accommodation.

    It was time to forge ahead. 

    That was life in those days.

    Lots of forging ahead away from the sickness of the past.

    I had a few nest-eggs tucked away around the world. Nothing too showy but enough that I was clear of money worries for a while. I’d said my goodbyes and packed up my belongings and the mysterious envelope. I travel light and buy what I don’t have when I get where I’m going. I’d never settled anyway, which made prison life less unbearable for me than for many other people who cried their eyes out with fear, indignation and home-sickness. Home is where the heart is, wherever I buy my hats.

    As I stood there, everything I was wearing was out of date, which rankled slightly. I was wearing a long, camel hair coat, my stoutest, brownest, leather jackboot style boot boots, a dark purple cotton weave suit, with a slightly yellowed polo shirt, long sleeved, Fred Perry. I wiped my right cheek dry. I made sure my wide-brimmed hat was dust free and at a sensible angle. I wore my grey-framed spectacles for clear vision and because of the distinguished air they lied to other people about. I was ready. I was ready for anything.

    So I thought.

    The weather was crisp and clean. The sky is crackling blue. I could feel the weak sunshine on my back as I looked at my crazed reflection in the cracked paint of the door. I made a decision that even now after everything that’s happened I remain proud of. I decided not to look back. 

    Not that I had any choice but you have to make things yours don’t you? You have to own things.

    The envelope was as light as a letter and nothing more. Maybe a love letter. Maybe blackmail. I figured that I’d probably get the chance to steam it open en route but for the time being I just let the possibilities stew in my juices.

    It was addressed, rather formally for a love letter, to Mrs Maeve Morgen, The Owner, The Four Crosses Hotel, Little Minster Street, Crosschester, CR14UX. It edged towards blackmail over love.

    Wrong again.

    I took one last look at the door and its faded poster of the blond guy, I smiled, turned on my heels and off I went. I was going to whistle a happy tune as per the instructions but the avenue was quiet. I had learned to love and respect quiet.

    So, yes, I was off to see Julianna and the other one. The immutably fabulous Julianna Górecki in the house that overlooked the park near a small, shabby memorial that was clumsily inscribed with a commemoration to seven young lads who had died on a beach in 1918. 

    As I set out, my aunt Bernadette was ill. Not her usual, “Don’t worry about me, I’ll be fine all on my own here in the dark, just leave me here”, kind of ill. She was terminally ill. Julianna hadn’t bothered to let me know during a recent phone call. She was resigned rather than upset about it. 

    “She’s quite ok”, Julianna calmly. 

    “Well, thank Our lady, Holy Mother Mary of Sorrows”, I said sarcastically.

    “My dear Laurie, that is cruel of you”, she was serious. 

    I walked away from the halfway house, past the prison, which looked like a child’s idea of a castle, towards one of Porthampton’s railway stations. The first person I met in my licensed freedom was a petite, dapper gentleman with a white moustache and a flat cap. Trotting ahead of him was a small, loudly ugly dog with a twig in its mouth and its tail down. The old man and his dog did not respect the quiet.

    “Buster! Put that down! Buster!”, screamed the old fella.

    The dog stopped, planted all four paws on the pavement and stared back at him. The old man, bent down, removed the twig, threw it away and put the dog on a lead. The dog struggled for its freedom, and barked back. 

    I was obviously feeling bright and breezy, “Good morning sir, your dog seems full of the joys”, I said with as much amiable politeness as I could remember.

    “Fuck off and mind your business, he’s a little cunt”.

    They walked on. The dog looked back at me and I swear it shrugged as if to say, “Such is life my friend, such is a life of safety in chains”.

    I hated mornings. At night cold weather like the unnecessarily biting wind I was walking through has some drama to it. First thing in the morning, the cold wind was as unpleasant as a begging drunk in your favourite bar. So, as I turned the corner at the top of the avenue and was glad of my thick coat. The wind, canalised by the tall, Victorian buildings, bodied me and took some of my breath for itself and screamed away with it. I put my head down and continued to make my way. 

    The station was sparse, a glorified level crossing with a place to buy a newspaper and cigarettes. Over on the other platform I could see a middle aged man with wild blonde hair. He was wearing a brown, double-breasted suit that was fashionable when I went to prison, and was now shabby. His expensive shoes were clean. He was prancing from one foot to the other in a shuffled dance. He reminded me of  Doctor Neil O’Neil seen through a fisheye lens pasted with Vaseline. A proper doctor, a doctor of medicine, so he said. Neil had qualified in London as a wunderkind. It couldn’t have been Neil though. Neil was dead. 

    Watching the man on the other platform reminded me just how much terrifying fun the combination of Neil and a big city used to be. Back then we read fashion fanzines that used Mao and Lenin as cool pinups. We listened to Post Punk and Hip-Hop and 1950s bebop jazz because it was obscure and obnoxious to the people we didn’t care for. 

    We had all kinds of nefarious joys and they never wore us out. Drugs were always cheap. I thought that was miraculous rather than a simple case of supply and demand. We experimented with everything. We are quite obviously immortal.

    Memory is just a jigsaw. Time is just a slide down the stairs. We spent good, bad, solid, fluid time in bars where something great was playing out of battered speakers. I’d get  ‘lightly minded’ as Neil’s friend Nana Adé (one of the loves of my life) put it. We’d get something to eat or we’d head to a party or a club to do unforgettable things that I no longer remember. I was practising high level cynicism at the time, so of course I didn’t understand the joy I was experiencing for what it was: a battery to help power through later life. The fun felt ephemeral, which in retrospect, is the most insane thing. 

    (Or a rapidly draining battery, yes, don’t tell me.)

    One night we were slumming it in a decent bar in Queens or Flatbush or somewhere not Manhattan. It had some terrible rock’n’mock’oirish tunes blasting away in the background and not a sight nor the gorgeous smell of Nana Adé for days. We were drinking heavily and so unstylishly as to be very cool if any of the cro magnon men and women there could have noticed. I’d been modelling some awful designer jeans. He’d been out with his new passion, his camera, being Vivian Maier or Robert fucking Doisneau, snapping street pictures. I doubt he ever bothered to get the pictures developed. He probably gave the camera away in return for anal or drugs. 

    He touched my fashionably bare knee and asked:

    “Do you think animals have a sense of history? When your pet’s sitting there watching an old black and white Lassie movie on TV with you do you reckon she thinks, ‘That dog there, she’s definitely dead’”?

    “Dogs only see in black and white don’t they?”

    I thought about it some more and told him that it was a stupid fucking question, because I didn’t have any pets, never had. And anyway, history was bunk.

    “What’s the world to be without stupid questions?”

    “That wouldn’t be a sense of history anyway, it’d be a sense of time”, I said thinking I was making a good point.

    We drank and pretended to think profoundly when we were really thinking about where to get drugs or laid or a fast car. But had there been any silence in that bar, Neil would have broken it.

    “Time just happens all the time, history has to be repeated”, he said.

    “Sure”, I said signally for another round of drinks.

    Just then Nana walked in, turning heads and giving them the long, elegant finger. She took the drink from Neil’s hand, knocked it back, kissed him gently on the lips, smiled at me and said.

    “It’s over, Neil. We’re done”.

    And she walked out. 

    Dr O’Neil pretended not to care. He cared. You could see he cared. Not only was it a direct and public insult to his big-dick energy, he also loved Nana like a friend, he cherished her company. 

    “I loved her”. He told me this in the professionally tacky bathroom where badness happened with exhausting regularity. 

    “I loved her more than my own mother and sister”, he said as we set to drinking highball glasses of J&B and San Pellegrino on the rocks. 

    “I know”, I said because I loved her in the same way.

    One after the other and the other and the other, highballs then straight shots, tequila of course. By the time we left we were coke lipped and bent crazy.

    He wept as I drove his black Buick Grand National GNX fast and way too straight back through Flatbush and to Manhattan. We hit a bump, I kept driving. Not my car. Probably not even Neil’s. On we went, my god I drove that thing hard. Next afternoon when we got up to go and get brunch there was a dent in the car. We went for pancakes with lots of coffee. I left for a culturally offensive modelling job in Egypt the next day. Dr O’Neil told me he’d sold the car to an Arab he knew from Williamsburg or somewhere. It was a fun car. 

    Back on the platform of the Porthampton suburban station I wished I’d stayed in touch with Nana Adé before she’d left New York for Kinshasa and all points in between.

    “Stop staring at me!”

    The man on the other platform was shouting and pointing at me.

    “It’s making me very anxious!” he yelled.

    “I’m sorry! You remind me of someone I used to know!” I yelled back with what should have been a lame excuse.

    “That doesn’t make any difference to me! Stop staring why don’t you!?” he sounded distraught rather than angry.

    He turned his back on me. He looked nothing like Dr Neil from the back.

    “I’m sorry! It won’t happen again I can assure you!”

    The man on the other platform smiled, his train arrived and he got on. A few minutes later mine pulled in and I boarded. He left a bad, no not bad, more strange impression on me. I realised that this was due to the fact that he reminded me of an aged Dr O’Neil. I had never met old Neil. He was a ghost. The ghost of some high times when Neil and I would share everything, every experience, every deed no matter how dark or how joyous. A short but intense period in New York, London, Paris and all points in directions that I can’t – don’t want to – remember. I tried to shrug my strange impression off as my train pulled out on its way to Porthampton Central station and beyond. It had taken a long time for me to fall for my own lie that I’d moved on from Neil O’Neil. I hadn’t.


    • The Assumption – Chapter 0 New York!

      New York! New York! Dr Neil O’Neil’s inhuman conclusion about a street robbery

    • The Assumption – Chapter 2 My Journey Began

      This chapter was actually the original starting point of the novel. It came originally from a short story. The story was about a sexless and genderless protagonist who had decided to join an interplanetary trip. The trip was one way. No returns. So, our hero, or heroine, decides to visit everybody they’d hurt during their…

    • The Assumption – Chapter 3 Training Daze

      This chapter begins in the ex-Royal Navy town of Porthampton, specifically its train station. It is concerned with our protagonist’s souring relationship with his remaining blood relative: the vile Aunt Bernadette. What went wrong with this chapter? It’s a jumble. It’s two chapters maybe three. For some reason I wrote about Laurie’s (our mulit-gendered/sexed protagonist)…

    • The Assumption – Chapter 4 The Four Crosses Hotel

      This chapter introduces you to the Four Crosses Hotel, its owner elegant Mrs Maeve Morgen who our protagonist, Laurie Gonne must deliver a letter too. Little does Laurie know, which is unlike them. Ireland makes itself present. As does Sydney Australia, where I lived for a decade. You will get to meet the bellhop, Little…

    • The Assumption – Chapter 1 Damn Him!

      Dr Neil O’Neil’s voice was in my head. Stuck there like a fog stuck fast to a lighthouse. “It’s a shame to miss a day like this with the sunshine burning you dry when you could be drinking with your pals in good bar, so”, he’d tease through the screaming clamours of the prison landings.…

  • The Assumption

    A novel that never quite made it. It was about love, hope, self-image and memory’s false constructions.

    The Assumption is a novel I worked on, I struggled with, for three years before I decided not to proceed. I killed it. I killed it because it was growing fat and indigestible. It wouldn’t just stick at being a simple story of misplaced love, of memory stews, of revenge.

    All well and good except new lines of narrative, new social dynamics, new characters kept appearing and making a mess of each other. The book refused to bed anything down to a reader-friendly line in its beginning, middle and its several unsatisfying endings.

    Worse still, the book became an exercise in showing off my own researches, not entertaining the reader. Clarity. Clarity. Clarity – the oppposite was true.

    Magazine writing and editing since 1988, I found myself re-reading drafts only to red-pen the drafts. My old editor head just screamed:

    “What the fuck is in it for the reader? Are you going to provide a sodding directory? Maybe a few maps? Some way to help the poor reader work out what’s going on?” I yelled at myself.

    How it began

    The Assumption began as a story about a man fresh out of prison for a crime he may or may not have committed. He decides he will travel on the new and highly dangerous Mars Colony rocket but first he has to travel around the country and say ‘sorry’ and ‘goodbye’ to his past and the people who inhabited it.

    A straightforward enough plot, the story of a recovering addict saying their farewells and making their peace before embarking on the interplanetary journey from which they will probably never return. Unless, of course, they find true love.

    Bloating

    From its inception – a short story that bloated – to its death, it was a struggle. Love, false memory, self-delusion and redemption fell into and out of each other.

    It lost its way when too many characters became involved in too many situations. Everything was inchoate and refused to evolve into much more than character and location interactions with little dramatic tension. It became bloated and without focus. Therefore, it had to die.

    Or rather it had to be stopped and made an example of right here. The example is not to let my writing grow fat, lazy and plotless because there was just too much or too many plot and plots.

    Confusion

    This story was about a man/woman (I never made my mind up) who had left gaol where they’d been banged up for an unnamed crime they may or may not have committed. They go in search of true love, a house of their own, and ideally the demise of Aunt Bernadette.

    Our protagonist, called Laurie Gonne, is a vain person – once a model – who doubts their own past but also other people’s perceptions of them. The first name was suitably genderless. The second name derived from Maud Gonne.

    The I.R.A. get involved

    The initial drafts were set between Crosschester – a city that readers of my first novel will recognise – and Fethard-on-Sea in Ireland – a town most people will not recognise.

    The old, pre-Provisional, Irish Republican Army (IRA) became involved and turned the plot from Laurie’s search for their one true love (they have many of these), called Julianna Górecki into something more complex.

    IRA diamonds are the McGuffin as historical (acts of memory) barbs begin entering the flow of the book. Laurie is given the task of liberating the gold or diamonds or bonds for a crew of mysterious old people. Threats are made, incentives are laid bare.

    The I.R.A. came into play for two reasons:

    1. I wanted some derring do, some John Buchan, some Erskine Childers. Some action-adventure to keep the audience energised.
    2. I wanted to use all the information I’d gathered about my own Irish family to get my Irish passport (thanks Granny Murphy).
      • I’m also learning Irish – my new passion for this took over from my better judgment.

    I then proceeded to get lost in the history of the Irish Republican Army (not the Provos), the Irish Republican Brotherhood, Jim Larkin’s Irish Citizen Army, The Irish Volunteers, and many others.

    Research is all well and good. However, as any historian who has ever got carried away in an archive will tell you, not every avenue of research leads to revelation and a strong spine to their thesis. Much archive/research, no matter how much it glisters, is a long way from on topic.

    The characters who might live on

    Lovely Julianna

    Let’s see what Laurie has to say about Julianna:

    “The remarkably beautiful Julianna Górecki. Tall as a cedar. Elegant as a hazel branch. French as a guillotine. She lived in a massive, crumbling Georgian country house in the village I grew up in. It was a house I knew well. It should have been my house. Our house. Me and Julianna. Julianna and I.

    “Wonderful Julianna, cool and warm, torridly tactile and terrifically remote. I adored Julianna like only a few other men and women I’d encountered. She made me a teen all over and inside. She made me self-conscious in a wonderful way. That’s love isn’t it? A kind of love. I have still never met anybody as satisfyingly distant as Julianna, and I’ve worked extensively in the high-end fashion industry. Julianna then. Julianna now. Julianna forever.

    “Julianna brings a hint of humanity to Bernadette’s house.”

    That hypocrite Bernadette

    One character who has to remain and probably be used in a new, stripped down novel is Aunt Bernadette, an alcoholic, a heavy smoker, she is religous despite hating almost everything and everyone in God’s creation. She is a vicious and hypocritical harridan but she’s Laurie’s remaining blood relative (or is she? See, that’s how the book veered off in yet another direction). She’s possibly a lesbian who is also a devote Catholic.

    She is being cared by Julianna in a grand country house. She is Laurie’s aunt. She maybe Julianna’ lover. Either way Laurie wants her gone. Bernadette has no reason to go. Julianna always knows that she will be getting it in Bernadette’s Will. Could Laurie be in love with a woman who has no need for that love?

    What follows is how the book looked after I killed 90,000 additional words in a vain attempt to achieve some cohesion. To make The Assumption a book for the reader, and not just an act of writing my own cleverness or (as my internal critic would have it) a revelation of my own mediocrity, at best.

    Anyway, I’ll be adding chapters as this blog of failure unfolds. For now, let’s look at the prologue. This was supposed to give an idea of Laurie’s ability to observe without inclusion.

    That monster O’Neil

    The novel’s most impactful make presence: Dr Neil O’Neil spends a lot of time in Laurie’s memory. You might even think that Neil is Laurie’s real love interest. He’s is a grandiose, sleazy and charismatic monster born of the 1980s. I knew people like Neil in the UK and in Ireland back then – all cocaine, champagne and lies.

    The more I thought I was writing a story about Laurie, Juliana and Bernadette, the more Dr O’Neil threatened to take over. Maybe see you again elsewhere, Dr O’Neil?

    Little Cartey

    Little Cartey works at the Four Crosses Hotel (so many crosses, it’s got to be a bit dodgy, right?). This is where Laurie must hand over a letter to the landlady, Mrs Maeve Morgen, so the journey can continue.

    Cartey, with her sibling Big Cartey, are the handypeople at the Four Crossses. They know the city of Crosschester and its outlying villages of Shalford, Commiton, and Bursley deeply and through time.

    Little Cartey is also hugely empathetic, easy to trust, and useful. I’m sure I had Jean Passepartout in mind when I began writing Little Cartey.

    At first Laurie, a natural snob, snobbish by fear, and doesn’t really care much for the help. Because of Little Cartey’s charm, obvious care for people, and growing care, Laurie is able to find the ground, is able to finally see other people.

    It’s, of coures, possible that Little Cartey, not Julianna, not Dr Neil O’Neil is the real love of Laurie’s life. This love story between Little Cartey and Laurie was going to provide an ending to the book itself in fact.

    What did I learn from this failure?

    Writing in the first person is much harder than it seems. It’s a really technical skill to be able to drive the story forward from a single point of view (POV).

    How can Laurie see what is going on elsewhere? How can Laurie read their minds? See their motivations? Without some way of achieving these things what I ended up with was a single character surrounded by people seemingly without motivation. Without any inner lives at all.

    This conundrum could have been solved by switching to a multiple POV narrative with a non-character narrator who could observe and report back on everything and everybody.

    The book, however, didn’t want this this. Not at all.

    So, in the struggle between me the author, and the book itself, I always had the final say right up until that final say was “Enough! Time to move on”.

    I hope you enjoy these fragments of years of work.

    Too many voices not enough depth or action

    Another mistake I made was to be lead by too many characters, and their concomitant plots no matter how small. Creating and growing characters is an immense pleasure for any author. Then the realisation dawns that differentiating between the troops in this army of undifferentiated voices, faces, motivations and subplots adds nothing other than stress to the reader’s time.

    This took me quite some time to come to grips with. No matter how evil or oily or stupid a character is, the author still loves them. However, they must each have clear and cleanly outlined personalities and behaviours. If not, you’re just adding the same characters suffused and obscured by each other.

    Imagine a bar full of drunks and you’re sober, you’ve just walked in. All the drunks are sure they’re being original and have great, pissed-up, stories to tell.

    “I’m not drunk!” they all chorus, all believing this is true.

    It’s time to go elsewhere before they all start talking about themselves because all they have to say will be how interesting, individual, and sober they are.

    Fewer, more tightly written, more compelling characters are more likely to drive the plot forward. The opposite has the effect of flooding and therefore diluting the backbone plot so that the book itself becomes a self-indulgent scrap book not an interesting novel.

    So, after all that, here’s what’s left of The Assumption.


    • The Assumption – Chapter 1 Damn Him!

      Dr Neil O’Neil’s voice was in my head. Stuck there like a fog stuck fast to a lighthouse. “It’s a shame to miss a day like this with the sunshine burning you dry when you could be drinking with your pals in good bar, so”, he’d tease through the screaming clamours of the prison landings.…

    • The Assumption – Chapter 4 The Four Crosses Hotel

      This chapter introduces you to the Four Crosses Hotel, its owner elegant Mrs Maeve Morgen who our protagonist, Laurie Gonne must deliver a letter too. Little does Laurie know, which is unlike them. Ireland makes itself present. As does Sydney Australia, where I lived for a decade. You will get to meet the bellhop, Little…

    • The Assumption – Chapter 3 Training Daze

      This chapter begins in the ex-Royal Navy town of Porthampton, specifically its train station. It is concerned with our protagonist’s souring relationship with his remaining blood relative: the vile Aunt Bernadette. What went wrong with this chapter? It’s a jumble. It’s two chapters maybe three. For some reason I wrote about Laurie’s (our mulit-gendered/sexed protagonist)…

    • The Assumption – Chapter 2 My Journey Began

      This chapter was actually the original starting point of the novel. It came originally from a short story. The story was about a sexless and genderless protagonist who had decided to join an interplanetary trip. The trip was one way. No returns. So, our hero, or heroine, decides to visit everybody they’d hurt during their…

    • The Assumption – Chapter 0 New York!

      New York! New York! Dr Neil O’Neil’s inhuman conclusion about a street robbery

  • The Fat Man

    Then he stripped to red-ochre painted nakedness and drank a bottle of gin to wash down a rattle of amphetamines.

    The Fat Man is looking at a mountain exploding in front of him from a distance of ten miles. Not much distance for such an enormous explosion. The fat man is wearing a black, collarless jacket, expensive and fashionable some years ago in a different hemisphere. His white shirt is stained red, his matching trousers are in tatters, one leg missing up to the mid-thigh, which is little problem as the leg intended to inhabit it is also missing and has been for some days.

    Sitting next to him is a blond woman with a china complexion and no expression other than blank indifference. Unlike the fat man, she is not sweating. All the fluid is gone from her body along with the salt and hope. She is as desolate as the scrubbed hill on which they sit.

    “We’d better get going. Can you stand up?” he tries to stand, leaning on a rock for support, but he slips back down to earth. She laughs, using the same tone that a prematurely buried, suicide would use on discovering the weight of earth on the coffin lid. She no longer wants to work for him. He has killed all the talent that used to make the job fun, everybody leaves them one way or another. They travel the world, using his money and her organisational skills. They look for secrets and then get other people to write about them. They then sell the writing. 

    The exploding mountain isn’t a secret, never was. It was public knowledge that “tests” were carried out inside the mountain. It became common knowledge when the authorities relocated all outlying villages twenty years before. The mountain is called Ibis or in some offices in Washington and London, “Curlew”. The mountain tests theories about faster than light particle acceleration. Two thousand people worked in and around the mountain. Fifty per cent of them are hyper-specialists who understand subatomic physics, computers and paintballing. The other fifty per cent are support staff, visiting technicians, administrators and the military. There are (were) Japanese, French, Swiss, English, German, American and one Belgian human being. There are two non-whites and one non-occidental. They are all dead now. No bleeding – save for the fat man’s leg – no pain and no remains. They have all been accelerated out of this world and into several next ones. 

    They had isolated the Higgs Boson but this wasn’t the cause of the explosion, that was caused by what looks like a cock-up involving heat sinks, poor code, a date-related bug and a Microsoft Outlook infesting-virus sent person or person unknown. 


    Sandra Klept remains seated as the rest of the company Christmas party stands and applauds. They are gathered in the Museum of Contemporary Arts in Sydney, New South Wales, Australia. They are applauding her husband, their boss, and the man that she wishes was if not dead, then at least horrible mutilated. She sneers and drinks some more mineral water. She scratches the back of her right calf muscle and sneers some more. The company, all three hundred and twelve of them, sits as her husband, Christ-like, motions for them to do so. She stands and walks away from the top table, taking her bottle of mineral water with her. He leads a round of applause for her, looking as if he means it with love and good intentions. He does, he doesn’t know that she is arranging a coup because, as she put it, she is, “Just so over his egomaniacal people manglement, talent vampirism and atrocious personality”, she goes to the lavatory to snort cocaine like the 1980s.


    “This is too cool, fully,” Anderson Ballmoore hits “Reload” and the page drizzles down the screen of his Mitsubishi 56-inch multisync flatscreen, “They got it online yesterday and today they’ve gone bust… so Del put all their code libraries online just to fuck the manglement off. There’s gigabytes of the stuff here, all proprietary. Most of it’s C+++, some Java and VB and some stuff  I’ve never seen before.”

    Davis Dorn, teen coder and ultra-virgin, sweeps his contact-lensed gaze at the directories containing “stuff” and rocks in his seat, “That’s Logo, that’s Pascal and that’s Applescript but you’re correctamundo, that other stuff is stuff. Coolio.” He returns to a cross-legged, arm-crossed defensive mode on the floor, his laptop is on the desk, connected to his brain by an infra-red keyboard and mouse link. It connected to the world, via Novell networking, a Linux box, a Firewall (that he coded) and a T3 line. For once he is not writing code, not even a Perl script. Instead he is ripping the website to a temporary online storage folder that the company set up in one of its international mirrors. This one is in Finland and is 530GB in size. Until ten minutes ago it contained 100GB of music and video. That has been erased and the space re-formatted. 

    Anderson opens a window containing some text, he picks up where he left off twenty minutes previously, continuing with a letter of love and yearning. He intends to use it as the seed for a program that will create a virtual university; more accurately it will be a virtual hang-out where students will come and learn to relate to both the business and real worlds. His love letter will welcome anybody who wants to join because he realises that welcoming people is important, love is all you need and the search for that love is a massive time waster when you’re trying to work up some really useful ideas. 

    Dear <name_nick>

    Welcome to MIT, the My Institute of Technology. We really <rand_pos_verb> that you’ve decided to enrol with us and <rand_des_verb) that you will <rand_att_verb> as much from the facilities as we do.

    As today is a <rand_grand_adj> day in your life and ours, I feel that now is the time to tell you that I’ve never seen anybody as <rand_sex_adj> and <rand_sex_adj) as you. The moment you posted your profile, I knew that my life would change forever. Please keep this very much to yourself as I do not want to embarrass either myself or you.

    You will find all necessary timetables, papers, notes and propaganda in your home directory. Your initial access pass is <applet code=”pass.class” CODEBASE=”/insecode/initial/runonce>. 

    You can reach me at <rand_lurve>@mitty.com.

    Welcome once again

    Jenny Rate

    {You do realise that no one in their right mind is going to believe any of that shit don’t you?” A messenger window has opened up on Anderson’s screen, in it is the text of the file he has just saved to the insecure code-bin on the external server.}

    {Of course I do. That’s the point, the students will also know that and they will do one of two things: ignore it or create a small cult around Jenny. I am interested in both of these outcomes. Anyway, what else am I going to do with my time and all this processor power?}

    {You could win the lottery again. You could calculate the optimal method for reducing Third World Debt. You could hack a pharmaceutical company and then release its hidden files to the media. You could download porn. But most of all you could stop wasting your time on pointless sociology riffs that you never follow up. You are not going to get any students because you don’t have any teachers}

    {As you well know, MITTY is a looped feedback system. The students are the teachers.}

    {As I well know, that is garbage. That is the kind of enclosed loop that produces noise and no feedback. That is yet another way of looking as if you’re going to achieve something by piling up code, but never actually achieving anything other than code. How is your real work coming along?}

    {Davis is keeping me waiting for the updates to the backend 🙁 }

    {Davis, are you reading this?}

    Davis glances into the messenger window that has crashed through his command line prompt like a garish tourist nosing around the Sacré-Cœur in Paris, decimating the sanctified calm with wolf whistles and awe-inspired shrieks and woops.

    {Yes I am reading this.}

    {And?}

    {And what?}

    {And where is the updated backend?}

    {On the Minx server. Same as it has been for three hours. Please refer to my email of the 7th. Here is a copy for your reference.}

    {Thank you Davis} and the message window disappears, enabling Davis to continue with his work. 

    {Anderson, you are a liar}

    {Yes. And?}

    {Be a liar on your own time}

    {This is my own time}

    {I am not getting into this. Suffice to say, you have entered into a contract with me and you are not fulfilling your part of that contract}

    {So sue me}

    {You know, winning that lottery has turned you in a  socio-thug. Just do the work that is assigned to you and then I don’t care what you get up to}

    {No really sue me. Or sack me. Exercise some fucking power}

    {No. DO THE WORK}

    And the message window closes. Untroubled by conscience or ethical considerations since winning 55 million dollars, US, on a state lottery, Anderson is surprised to discover that his hackles are up. He closes the workspace containing the MITTY model and opens another, checks into the code -safe and prepares to add some sendmail and other, largely kiddy routines that need his knowledge of the company’s security routines to the code that Davis uploaded three days before. He is sulking, at least his social self is sulking. The part of him that deals with work is causing his fingers to move an infra-red, force-feedback (totally unnecessary) mouse to highlight areas of the workspace, adding and subtracting lines here and there, compiling, linking and testing. 


    The fat man is not at all happy in his hospital bed in Darwin. He isn’t happy with the noise, he isn’t happy with the fact that his health insurance is in some form of bureaucratic stasis, he isn’t happy with food and he isn’t happy with his stump. This state of pissed-offness is not unusual for him, it is his natural state and derives from the fact that, despite all evidence to the contrary, he is certain that everybody else in the world, including his clients and the blond woman, are all idiots. Over the years, the rest of the planet’s population has stopped being a glob of disconnected idiots and morphed into a huge, integrated, circus of dolts, fools, cretins and clowns. No one is capable of doing anything other than throwing obstacles in his way. Even his mother, who threw more cash at him than is right and proper, is now a desolate, disintegrating blob of cells sitting somewhere in Canberra, writing longhand letters to Murdoch and Packer and, of course, to him. She travels still, even at 85, but will not come and see him because of an argument they had ten years before. 

    So he lies in a public ward, surrounded by aborigines (or Indiginies or black-fellas) and poor white trash all of whom are moaning or farting mouth-noises at their tribes of visitors. Having lost his travel documents in the rush away from the initial fires inside the particle accelerator, he has sent the blond woman off to the nearest Internet cafe to try to sort out his life. 

    He looks at his enormous stomach which he has uncovered to get cool but also to ensure that no one will come too close. He likes his ugliness mainly because other people don’t but also because fifteen years of therapy have armed him with enough false self-imagery that he honestly believes that it is really all subjective.

    His ex-wife, Tara, had watched his spreading torso keeping pace with this ego in a direct anti-relationship to his hair and social skills. True, he retains charisma, in bucket loads but charisma is one of those strange character variables that won’t go away if you’ve got it. He uses it to manipulate idiots into positions where he can employ them before submitting them to a steep, ever descending curve that slices through their self-worth until they either leave his employ or are so reduced that they have nowhere else to go. He has roughly 100 to 115 such ghosts slopping away at research and hack writing in two offices in New South Wales. Every so often he choses a “favourite”, explains in some unspoken and unspeakable code to the blonde woman that this person must be treated with a smile and slightly more courtesy than she would usually use, and takes them into layer one of his confidence.

    As a liar of some discipline and no small brutality, he then feeds through enough information to ensure that this person would be forced to perjure themselves if any of the companies’ less than entirely legal schemes came to the attention of the authorities. After about a month, often times less, this favourite begins their skid down the backend of the curve. 

    His current favourite is called Martin Closer – he never choses women – and Martin is now speaking with the blonde woman in an internet cafe just off the main Darwin drag, opposite Woolworths in fact where she recently purchased cosmetics, a can of Coke, a packet of Marlboro Lites and some sanitary napkins.

    The blonde woman is not on the curve, never has been. She has the ability however, to seem less like a total buffoon than the rest of the world, mainly because she only ever does what she is told. She then takes her stress out on the ghosts and the occasional journalist phoning for an interview for some pointless profile in some pointless paper or magazine. She was going to be a doctor but smoked too much Bushbud and fell into the job as his PA. The Bushbud – hydroponically grown cannabis that musters the same effect as mildly pure heroin without the stigma – protects her from the mores of Fat Man rage. It also provides a thudding, woolly shield against the ghosts. His sociopathy has seeped into her ensuring that she never becomes attached to any of the “monkeys” as she calls the staff.

    Her name is Joy. Everybody calls her Princess Lea because she always seems to be at the feet of Jabba the Hut.


    Following the Christmas speech the MCA descended into a kind of  null party. Not a non-party and far from a party-party. This was a party waiting to be filled like a function waiting to have its component parts related. Everybody knew what they were supposed to do but nobody, save the secretaries and “non-creatives”, knew how to do it. The support staff simply drank the drink, boogied to the music, said sentimental things, touched other support staff in a way that would usually be frowned upon and talked to the management in a way that would always be frowned upon. It was basic human interaction. Confusing. 

    Joseph Dyer, the “boss”, took it all in his stride, especially the abuse which, as he was honest with himself, was low level stuff and nothing to take seriously other than to deal with it.

    “The second floor, up where Popular PC is, it’s always disgusting… they never clear up cups or papers or pizza or nothing. I bloody complain about them all th time but no one ever bloody listens to a bloody word. They’re animals they just don’t care.” 

    Billy Taylor had been with the company since it began in 1989 and was always complaining that the staffers were pigs, which for the most part they were not. 

    Of course, Billy Taylor is in fact, William Talforth-Taylor former emeritus professor of number theory at Monash University until 1988 when he flipped out in spectacular fashion, and published every single mote of research on Usenet silently in his office. Then he stripped to red-ochre painted nakedness and drank a bottle of gin to wash down a rattle of amphetamines. He has been Dyer’s tutor and good friend, so he had been taken in. But he would not stop complaining and he would not ever refer to his previous life as one of Australia’s most distinguished academics. He had, in fact, taken on the persona of his own family’s gardener, a deeply troubled, preternaturally surly old man called Mick Telfer who had offered the first true glimpse of fear that the young William had encountered.

    Joe Dyer kept him around because this was not only the right thing to do, but also because Billy had a habit – unknown to himself – of annotating lazy spreadsheets so that they came up to some kind of standard. He did this because Joe would leave printouts in his cubby hole and retreat, the printouts would always be disguised as garbage, they would always be found in a bin by the first floor photocopier with various functions tweaked with a thick, green pencil. Joe made sure that  Bill was paid well over the odds for an office cleaner – a job that he also excelled at. This exchange of crumpled paper was the only time that the psycho-armour that Billy used was ever penetrated; neither man ever mentioned it to the other. 


    Sandra Klept was buzzing now, riding the waves of cocaine, red-eyed and a full harridan. Her husband was talking to the old man, the rest of the dorks were spastically and spasmodically partying. She was once again trying to work out why she was feeling blue. One part of her, the part that drove down Madison Avenue in a Buick with cigarette ash blowing into her hair from the beautiful hand of a James Dean/Christian Slater/Brad Pitt/Rock Hudson/Raquel Welch creature constructed from moving denim and static, true diamond rocks; that part was a happy, sexually fulfilled, lucid, beating heartfelt person-girl, loved and loving. 

    The other part, the part that sat at long tables watching young vibroes still talking about work (and snowboards), targets (and holidays without partners or briefcases) not understanding why they asked for dreadful C&W like the Hanson Family, Emmylou Harris and Kasey fucking Chambers. Country and Western was trash music, disgusting, and these kids were educated at MIT and should have known better; even worse, she knew that she was just getting old like in a Philip Roth or Pynchon kind of way.

    The thing that really got to her was that  her upbringing meant that she wouldn’t cause a scene. She could see the sense in this gathering, she could see that people were – in their ways – simply trying to be happy by playing the game. She began to dig holes in herself with a psychological cutting spade (the kind that Qkwee-Qkway used on the  whales that never satisfied Ahab). 

    I am too good for these people.

    But if I am too good for these people, then who am I  not good enough for and who do I fit with? And if there are either of those sets of people then why am not with them? And I meant, who am I not too good enough for? And now I can’t think in words because I’m not good enough for those either, not like these people who are using words with other, and the thought of them using words with each other is enough for me to a staircase with my father in a bed, with a drip at the bottom of it, and I am falling off and down and into his bed where he is not-dead. 

    She takes a drink from the table, a glass of red wine, poor red wine by her standards and wipes away the thinking by drinking a long draft like Penelope waiting for Odysseus to come and make sense of her life. Of course, he’s still talking about war and horses with the boys; in his way. She pours some more poor wine and wonders if she should change dealer, well coke dealer at least because it seems to be losing the battle with the Ritalin and Moggies that she had taken before. 

    I want an evil man who thinks about doing wrong to make me feel fine. I’ve got a good man and a  jeroboam of self-pity because I can’t be as good as him, and he forgives me. So I want him. 


    The president and the prime minister are saying dreadful things in the news over Christmas. The exploding mountain with the particle accelerator that held Higgs Bosons among other things isn’t easy to explain to the general public, even the general public with a passing knowledge from New Scientist or Scientific American or a website or ten thousand.

    The media is making a mess of it, cock-up has taken over from conspiracy and all sorts of total nonsense is bleeding into early evening bulletins and “ready for air” webTV specials starring Eric Roberts. Even kids’ new spots are highlighting the man made volcano (which it wasn’t, there was no lava flow or magma stings,  no Herculeanums below) as yet another reason to hate big business. 

    In the pub are three of the most highly educated physicists and mathematicians (Jones doubles up) the world has ever known, ergo they are all under the age of 28 years. The pub is on the campus of Georgia Tech in Atlanta. They were on a tour in Curlew that ended ten hours before it went pop. They are right royally pissed off and preparing to get drunk but first they have to argue about technical matters such as whether the satellite uplink that was supposed to be running every second of everyday to back up data on the run, was really working. They think it was one of those things that the governments told them. But they also think that it’s exactly the kind of thing that governments would do in order to rip the kind of data that you would consider to be personal.

    Adam Smith was their hero.

    Thomas Hobbes was who they believed in.

    But they  still took holidays and dressed differently enough to their seniors to make them look softly independent. By understanding physics, they also seemed to understand why their bills should be paid on time, and their cars serviced; their diets were regulated and they rode mountain bikes over distances of less than five miles. Drinking was a rare, and celebrated, event, celebrated in memory like the first time over and over again. So they began with beer, lite beer, building to the darker strengths and finally into bourbon – a manly, non-European drink. All through the escalation they talked about how many coincidences had invaded their lives since they had managed to secure tenure of some sort at Curlew. 

    “And the first three digits with the first alpha of my pass in were the same as my driving licence with a single, unifying digit subtracted…”

    “And the key sequence for the Fermilab logon is three digits removed from my mother’s birthday, which was three digits (in the other direction) off the date of her death…”

    “And the long and lat positioning for my room at Curlew is the same sequence exactly as the directory number I had at Oxford”

    These coincidences bounce around, being carried away in fragments by the other alumni and staff who orbit them in an abstract and apparently unconnected manner as they drink. From time to time over the five hours during which  they move from respected heads containing impenetrable truths to specularly vapid males with heads full of conspiracy, they work out that something was very up indeed. 

    “There was an inevitability about it when you trace the numbers down”

    “The numbers are noise, the conspiracy has nothing to do with the numbers, the numbers were put there to put anybody off the scent.”

    “The numbers are the human error of it all. They were put there subconsciously by a group of individuals who felt some kind of guilt… it is random noise – as random as it is possible to get – we are supposed to be presented with the existence of the scent by the numbers.”


    The private hospital room is much, much better. He has ordered three televisions and a laptop, some books on string theory and a selection of sub-teen girls magazines. The Fat Man is called Abraham Roquez Durer and he is eating spinach and beef calzone, ensuring that nothing drips into him by draping several cotton towels over his torso. He is leaning on three pillows that are already at an angle due to the tilt of the bed. He is watching Ren & Stimpy, CNN and Asia Pacific News BBC World News. He would be dictating a memo into a digital voice recorder that will turn his words into bits and bytes and email them to the ghosts back at the main office in Oregon. But he can’t because he is concentrating on excavating the calzone. 

    He was born in Ireland, in Waterford, thirty eight years before and uses the accent when he needs to. His parents relocated to Brisbane when he was twelve years old. Being uncomfortable in the Queensland heat, he remained inside their waterfront house until he was eighteen, when he moved to Sydney as fast as the cash he’d made share trading on the Internet would allow. Once in Sydney, he had found a three bedroom flat just off Broadway with a view of Centrepoint and air conditioning. He enrolled at the University of New South Wales where he discovered that no one was as intelligent as his mother or father. He set out, with more money earned on the Internet, serving stolen hardcore images using the university’s bandwidth, to organise a group of impressionable peers into a proto company publishing street magazines about bands, and DJs; cafes and raves. Many of the events and people they wrote about didn’t exist outside his head. He told his “friends” and “partners” in the company that these random pieces of information would bring people together; their readers would head to Randwick or Liverpool or Surry Hills looking for “Sensei-sational Time Kicking Trace Nite” and find nothing other than themselves, they would “get it” and begin their own parties. 

    His friends believed him and came up with more and more outstanding and outrageous characters and events – even interviewing a character called Slamma Mamma on three occasions about why her events always seemed to be cancelled. He sub-let some of his friends to poster areas of Sydney with real information about real events. All the while he spoke of revolutionary sociology and life-changing human dynamics.  He quoted Ken Keysey quoting Neil Cassidy quoting Jack Kerouac quoting Buddha. He siphoned off the money to property accounts in Canberra, Bali, Darwin and Melbourne. 

    With his degree course finished, he opened a fully fledged office in Alexandria (which appealed to his sense of classical history) and then left to visit Europe for two years. This was  no big deal as by then he had parted company with his closest female co-partner and discovered the cool of the blond, china-faced woman. She ran the office with indifferent fear, sacking and encouraging others to hire, moving the focus (on his order from a hotel in Paris, a room in London or a train travelling through the Balkans) from street magazines to research work for record companies, software houses, TV companies and street magazine companies. By the time he returned, there had been two walk outs by “senior” staff and a layer of managers who knew the short term score had been appointed, all fresh from overseas or interstate.

    He congratulated her with a bottle of white wine, a case of low tar cigarettes and $6,576.55 into her hand from his pocket. He told her to take two weeks off, try to smoke less grass and be back with five new ideas. Then he sat in a glass office overlooking the central atrium of the Alexandria office and went through the spreadsheets with the kind of tooth comb you’d use with a corpse you had murdered. He didn’t want to actually move anything, or even show that he’d tidied the figures, it was simply that there was money there that would serve a greater good if it was in bricks and mortar. This entailed ensuring that at least three of the new management layer found their ways out of the company. 

    This was a simple enough strategy to realise seeing as they’d only know him as legend or email. He called meetings at five in the afternoon on Friday, turned up late for them or cancelled them. He pitted them all against each other by pretending not to know names, ignoring emails, making speculative phone calls to voicemail. He ferreted through directories and changed documents. He had a ball and kept making money.

    One sticky moment came when one of the management drones, a chap called Dams who was researching the financial history of electricity companies in NSW, had flipped in his office. Abraham had redefined this guy’s workload five times in three weeks, cancelling projects and taking staff to vaporous lines of enquiry. He’d got the guy to sack his closest colleague at nine AM on a Monday morning.

    Now the guy, who had a name and a wife and was starting to engender some loyalty (asking for pay rises for ghosts), had broken up like a barnacle ridden fishing boat in the wrong sea in the wrong weather. 

    “Just what is your vision for this company? I thought I understood it, but  I can’t get it?”

    The fat man hated visions; visions were the bailiwick of martyrs and insane, female European religious figures. His company was there to make money not realise visions.

    “I have no vision, this isn’t about vision,” his face grew red, his eyes dilated (not just his pupils, but the entire cavity including the vitreous body and probably the optic nerve all the way to the back of his head over his brain stem), he ran his hand over his exsanguinated forehead and stood up, “this is about reacting. If you have the money to pay our tax bill then you can have any vision you want. Your job is to get work done, understand the audience (by which he meant “client” by which he meant “mark”) and present information on time that will make us money. This isn’t a crusade, this is a business!” He was shouting outside of himself, inside he was watching and waiting for the guy’s good manners and understanding of business ethics to proffer a resignation for him. He was thinking about the other guy he had poached from the day before at short term more money and long term less. He was thinking about lunch at an Italian restaurant in fifteen minutes alone with the newspapers and a calculator. 

    “Well fuck you, you fucking cunt. You are a fucked up… you fuck with people,” the guy stood up and faced Abraham off over the desk, slamming his flat hand on a printed email  from his soon-to-be replacement so that some of the cheap toner came off the cheaper paper onto his sweaty hand.

    “Fine and fucking dandy. No vision. But  no figures either, the spreadsheets make no sense at all. How can we budget for anything when the spreadsheets are all utter bullshit? I am bewildered, honestly although I don’t expect you to understand that you fat fucking thief!” He was screaming now, and had Abraham’s lapel in his hand. Spit was spraying from his mouth and his skin had washed pale as the anger became too actual for the blood to reside anywhere other than in his arms and legs. His heart was attempting to maintain some parity with the needs of his adrenal gland. 

    Abraham saw the signs and started shouting for help. No code words,  a simple au secours to the blond woman, who immediately called a private security firm preferring not to contact the police.

    They’d pre-agreed this some years before in a fun game of watching the angles.

    What really pissed him off was that he hadn’t pre-empted the reaction of this particular guy. He was slipping and this meant that he had to exert some physical force in order to retain the power position. Well, okay so he didn’t have to, but it was fun in its own way. He didn’t seek out situations wherein he could indulge in bashing people, however, if one presented itself, he was well prepared to smack the hell out of anyone who put him to the challenge. This was made even easier by the fact that everything else in his persona suggested that he was an abject coward. 

    This situation was trickier than a standard slap and run. If it did get to court, the fact that he’d beaten the guy half to death with a relatively inexpensive piece of office furniture combined with the fact that the guy had been recruited by a highly respected head hunter who would be more inclined to provide character references than shut up, could mediate against him. On the other hand, it might not get to  court in the first place. 

    By the time they woke the next day was already half over. The primary focus for the conversation among the three physicists was optimal hangover cures. There was some argument about whether optimal meant losing the bulk of the hangover quickly enough so that one could be basically functional, or it meant losing the hangover completely. Obviously, losing it quickly and completely was the answer, but they squabbled anyway.

  • You All Know Who You Are!

    What she said added to my later tears but there were so many of those and their reasons flowed into each other so easily that I can’t distinguish their flow today.

    “Carry me quickly to the last place you remember us being happy together”, was the last thing Séan Curran had written. There it was on a leaf of grimy note paper that I took from the undertaker the day we all buried Curran. Too late. As ever.

    On the other side of the note he’d written, ‘To You All of Ye, You Know Who You Are!’.

    He was buried in the one suit he owned. A grey, woollen single-breasted job at least twenty years old. He’d popped the note into its inside pocket before going out into town for his last night. The undertakers found it on the Tuesday before the Wednesday burial. As ever, too late for Curran.

    The thing with Curran was that he was forever leaving notes about the place. The beginnings of poems and stories, rehearsals for suicide notes. Oftentimes you simply couldn’t tell exactly what he meant.

    He had worked for years on the railways doing a variety of jobs. He was tall and slim, dark, he wore spectacles and what used to be known as stout boots. He was an atheist and a small drinker but only on Fridays. I met him on the railways. I met him in the pub. I wouldn’t say we became friends but we certainly became brothers-in-books.

    I’ll miss him when it’s all sunk in. When it’s all been soaked up. See, I’ve distanced myself from the process. That’ll happen all by itself. At least I hope so.

    Curran emerged from prison a ruined old man. He told me that after several chats with the chaplain a Swiftian descent into religion had caused his loss of faith in God. That said, it also gave him a firm sense of belonging. 

    “Now”, he wrote, “I have the Pope and all the cardinals on earth!”

    He came directly to my home to remind me of our times together. He impressed on me that, before he went into prison, my wife Mary should have been his wife.

    Mary, Curran and I had revolved around each other before he had taken up what some called crime and others called patriotism. I’m now convinced that Mary had taken up with me purely out of heartbreak. I adored her with all the adoration I had. I loved her with all my stinking heart. But today, before his funeral, it rankles me that Mary and Curran loved each other.

    I always thought the reason that my late wife, Mary, was my wife and not his was because I’d listened to her talk all about Flann O’Brien one pub night. He’d disagreed vehemently with what she said because she’d folded Myles na gCopaleen into her dialogue.

    “Different names. Different people!” I remember him yelling, and her laughing. 

    “Different names. Same man. Different tones”, she replied quietly enough.

    Boy, how he’d sulked. How he’d fallen for her.

    It turns out that she married me because she thought; she hoped she would love me and there’d be less conflict in the marriage. She told me this in the cancer ward. She felt she had to. I agreed. 

    What she said added to my later tears but there were so many of those and their reasons flowed into each other so easily that I can’t distinguish their flow today.

    She was my friend and we had this glorious house. We had two children, both abroad and doing very well. I talk to her ghost about Curran. I’d like to imagine they’re now chatting to each other, and now she knows the truth.

    It’s a relief that I no longer need to hide the fact that Curran murdered her father on his doorstep. He’d told me that when he came to see me after he got out of prison.